The collection consists of a theoretically infinite series of rings, digitally generated using a procedural noise algorithm, materialized through direct metal 3D printing in aluminum and finished by hand.

Each individual ring is characterized by two values: R and S. R denotes the "Roughness Frequency," while S represents the specific "Seed Value" used to initiate the random number generator within the algorithm.

The shapes exhibit a scale-free nature, reflecting a universal character reminiscent of natural phenomena spanning both the micro and macro worlds.

These rings, an amalgamation of particles transformed from digital to physical existence, offer a snapshot of the infinite — a glimpse into the resonating noise of the universe.

The shape of the rings, generated using a procedural noise algorithm, is controlled by parameters with different values. Each single ring is identified by two key values: R and S. R indicates the „Roughness Frequency“, S the individual „Seed Value“ used to initialize a random number generator. 
To exemplify: R0 represents the Ur-ring with no noise applied, R80 is „louder“ than R20 and between the two there are infinite variants, as well as below R20 and above R80. Applying different seed values, opens up another level of possibilities: series of rings with the same „noise level“ can be created, each one unique. For instance ring R40 S180 shows the same frequency as ring R40 S230 (same R value), but each one is different and has distinct details (different S value).

Rings have different dimensions (approx. 40 x 40 x 40 mm) and come with customized cases 3D printed in a special bio-based material with the individual R and S values engraved.

Three rings of the collection have been selected by an international jury for the main exhibition themed PARTICLE[S] at Brussels Jewellery Week 2024 and have been awarded with the Les Brucelles' prize.